Exploded Dialogue


This work was a part of Communication Beyond Words, a cross cultural exchange project between Colombia and Australia curated by Erika Siabatto and Michelle Mantsio with the support of the Academy of Design in Melbourne and Unitec in Bogotá.

Exploded Dialogue
2015
Removable felt and thread
Dimensions variable

Photographer: Simon Cotching


When a colourful drawing in felt tip pen and ink from an artist in Colombia arrived in my post box I did not quite know how to respond to it. The work was not accompanied by text, not even the artist’s name or gender, any context to the work was only imagined. In a way, the work became mine, free to interpret however I felt, I became it's surrogate author.

Communicating across languages and cultures offers us a similar freedom, when we are speaking to a person from a different background we are often filling in the gaps, the I don’t understand gaps with information from our own imagination, or assumptions. We feel free to use the parts that we understand, to create meaning for ourselves in the dialogue resulting in a story that might be less or more interesting than the one actually presented to us. I have responded to the work from Colombia in a similar way, taking shapes and colours from the work and pulling them out of their context for the viewer to re-arrange. The final work to be in a state of flux, to be re-configured but never completely understood or complete.






We lost and we won (Paintings)

Installation view, We lost and we won, Ararat Regional Art Gallery, 2015
Close ones, Oil, 2015, on paper.

'We lost and we won' is a solo exhibition at Ararat Regional Art Gallery from 22nd of October until 6 December 2015. The work highlights everyday struggles and achievements through a series of paintings and soft sculptures.
In a sport obsessed society the exhibition playfully challenges the way we see victories, by acknowledging some of the most difficult and personally challenging activities people face.
The embroidered and heat moulded fabric sculptures were produced while undertaking the Artist In Residence program through Ashfield Council in Sydney. Inspired by the self-professed, but otherwise unacknowledged accomplishments of the artist's friends and family, these sculptures de-construct the shape and notion of the trophy. By embracing these individual stories of generosity, adventure and strength while producing the works, the sculptures seemed to develop of their own accord.
The seven paintings on show depict altered sporting trophies alongside everyday objects, which have been discarded and given to a second-hand store, representing the difficulties and frustrations that come with day to day life.

Value adding, 2015, Oil on paper.
Play with me, 2015, Oil on paper.
Domestic disorder, 2015, Oil on paper.
Books for building, 2015, Oil on paper.
Be festive, 2015, Oil on paper.
Connection problems, Oil on paper.